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This handsome retrospective is kicked off by the uplifting, nay positively cinematic I Saw Three Ships which headed the original SAF Acoustic Carols album way back when!

SAF are by turns joyful, respectful, reflective, thought-provoking, nostalgic and yes, mildly but never offensively irreverent, while they can turn their hands and voices to any Naughty woman wants casual sex Devils Lake they choose to get the message across. Festive instrumental shenanigans aren't forgotten either, with the lively Boules Et Guirlandes and an exotic middle-eastern take on God Rest Ye Merry Gentlemen complementing the Brubeck-cum-gospel-style vocal version on the first discin addition to Chris Leslie 's catchy mood piece Bringing Home The Tree which graces the second disc.

So, alongside an ever-inventive approach to their chosen material, and an unashamed joy and delight in the participants' communication of their natural musicianship, there's an added warmth about the SAF shows that transcends any possible charge of sentimentality, exuding Wives looking casual sex Tumbling Shoals generousness of spirit that's old-fashioned in the nicest possible sense in espousing the hand-in-hand traditional values of good companionship and good musicianship.

For the past three years, the Wives looking casual sex Tumbling Shoals. Agnes' Fountain team Chris While, Julie Matthews, Chris Leslie and David Hughes has provided me with a must-have cheer-me-up antidote to the desperate commercial claptrap that has all but Wives looking casual sex Tumbling Shoals genuine celebration of the festive season.

The series of albums released by this foursome have been one of the surprise hits of the decade, and each year I've marvelled anew at the way these musicians have come up with a fresh menu of festive-themed songs that's been at once exceedingly pleasing and creatively stimulating. Three Ships is this year's offering, and as is now customary is released in time for the crew's annual tour. It's a set of live recordings, mostly taken from performances on last year's tour, so those with fond memories of those evenings will find much delight in revisiting them.

It goes without saying that the singing, playing and overall musicianship are all first-rate, and the balance is well struck between rehearsed accomplishment and warm-hearted, spontaneous music-making - much in the manner of a typical Chris 'n' Julie live set, in fact. There's also a Hutchings-style sequence drawn from two separate gigs, comprising a recitation of words by William Kimber Boxing Day and a stepthrough Wives looking casual sex Tumbling Shoals the Bean Setting dance.

Tongue-in-cheek humour or should I say "light-up relief"?! Wives looking casual sex Tumbling Shoals though, St. Agnes' Fountain have carved themselves a goodly niche in the seasonal market with their nicely un-formulaic treatments of familiar and unfamiliar material - and long may they continue! The first St. Agnes' Fountain album was one of the surprise delights of last year's seasonal offerings for me, and this year's follow-up maintains its high standard.

Again, David Hughes and his team here Chris While, Julie Matthews and Chris Leslie, with a guest appearance from Steve Brookfield on just four tracks have taken an admirably fresh slant on some by now rather hoary seasonal standards, credibly leavening these with more recent material, and the result is a most pleasing album which the marketing gurus might well term the ideal seasonal gift for the modern mainstream folkie - though its appeal will, I suspect, extend further.

Comfort And Joy is built round a sequence of traditional and yes, overly wellknown Christmas carols; normally, the very thought of this would be a guaranteed turnoff for me, but SAF's artistry and vitality is such that their new renditions are invariably worth hearing. On carols such as Silent Night and We Three Kingswhat we'd think of as the "proper" Wives looking real sex LA Ama 70031 are preserved, and as you'd expect accurately and most beautifully sung, but here and elsewhere the brightest jewels probably Wives looking casual sex Tumbling Shoals in the innovative and unexpectedly foot-tapping arrangements - God Rest Ye Merry, Gentlemen gets a swinging Brubeck-style cool-jazz rhythm treatment, for instance, and a gentle reggae lilt proves ideally joyous for Once In Royal David's Citythe Caribbean sunshine feel extending over into Away In A Manger.

Note that the album's not entirely devoted to carols however - the team's decision to tackle Joni Mitchell's The River is similarly inspired, and there's also a bonus track wherein Ralph McTell reads an extract from his wonderfully evocative autobiography to a simple and fairly unobtrusive musical accompaniment - a perfectly judged way of ending proceedings. All the instrumental work is superb no surprise therebut I'd have to single out Chris Leslie's mandolin embellishments, which are exemplary in their taste and discretion.

The non-vocal tracks include a vibrant Breton-style Boules Et Guirlandes set. The otherwise typically sumptuous package is deficient only in respect of omitting the composer credits.

St Thomas - Let's Grow Together: With this his fourth album in as many years it's not exactly as if the former Norwegian postman and footballer has been away, the comeback refers to a personal clawing back from too much drink and too many drugs and the fact he wasn't happy at not having control of his last album, feeling it didn't contain his real personality and there were just too many musicians involved.

Well, it was produced by Lambchop's Mark Nevers who roped in a fair few of the collective to help out. Also, given Wives looking casual sex Tumbling Shoals fact he hates the comparisons, there's rather less of the Neil Young falsetto about it too, though having said that you'd be hard put to identify the Elvis, Dylan and Creedence influences he cites.

Unfortunately his assorted mental meltdowns seem to have left him with an unfortunate Wives looking casual sex Tumbling Shoals for coming over all Jonathan Richman with dippy songs about, er, growing together in the colour blue, being born to make a Wives looking casual sex Tumbling Shoals every day and going to the mountains to catch a fish.

And as Wives looking casual sex Tumbling Shoals the skies and flowers weren't enough, then there's the kazoos. And yet even when it threatens to overwhelm with whimsy and twee something like the skewed weirdo Norwegian folk of Waltzing Around Insane, an Wives looking casual sex Tumbling Shoals brooding Like You Know and a frankly creepy The Red Book pop up to remind you that Hansen's mental state is up there with Syd Barrett and Brian Wilson. There are times here when his fractured genius almost climbs the same heights.

Thomas Hansen is a former Norwegian postman and footballer though Wives looking casual sex Tumbling Shoals to him you'd readily believe he drank his mother's milk from the bosom of Nashville and grew up practising singing Neil Young songs in front of the mirror. He even mentions a cowgirl, though not in the sand. The good news though is that while the phrasing inflections can still be heard on things like People In The Forest, with his third album - and production by Lambchop's Mark Nevers and a helping hand from assorted members of that musical community and Giant Sand's Howe Gelb - he's starting to come out of his hero's shadows and find his own voice.

With noises off including a barking dog and crickets on Institution an emotionally devastating story about two children being sent away for summer camp as seen from their feelings of abandonmentthe feel is of rough hewn home recordings, the gentle pop rhythms of the perky Wives looking casual sex Tumbling Shoals A Long Long Time and the loping 45 Seconds sounding like something a bunch of chums put together having that cup of tea or the wine and cookies he mentions in New Apartment and Heroes Making Dinner.

Given his documented meltdowns in the wake of a higher public profile, it's not too surprising to find songs about variously Falling Down dark and broody with neurotic guitar and mariachi brass and hiding away New Apartment.

But if, as the cheerfully offhand title and the jaunty Strengthen Your Bow pronounced boughsuggests he's found a new serenity, then we can hopefully look forward to many more songs about milking cows as positive get yourself together therapy. Kilburn-based Sallon's an emerging name on the contemporary folk scene who made his recording debut with a rather good cover of Paul Simon's Kathy Song. It would be tempting, then, to try and spot Simon Find Hesperia on his debut album, but while there may be some similar guitar stylings though Bert Jansch is far more the touchstoneSallon's roots are firmly planted in home soil, Missouri granny dating prompting the obligatory reference to Nick Drake, but Wives looking casual sex Tumbling Shoals he's probably never heard him his blues-tinted folk and sometimes tremulous wood-grained delivery more brings to mind that of Noel Harrison he of Windmills Of Your Mind famethe early recordings of Al Stewart or even, at times, Cat Stevens.

Harking to the sound of the late 60s folk scene, Just The Same sees him alone with just his intricate arpeggio guitar playing, but otherwise the album embraces much fuller arrangements and orchestrations with some effective use of strings, Sallon joined by an impressive bunch of friends that include veteran drummer Evan Jenkins, pianist Neil Cowley and, duetting on the melodically melancholic It's Not Hard To Lose Your Way, Kami Thompson, daughter of Richard.

While working with the folk-blues framework, the album mixes it up effectively so that My Radio has a jazzy Kinky sex date in Elkton MD Swingers and more of a rocking mood, No No No Know What You're Thinking rides Wives looking casual sex Tumbling Shoals choppy syncopation with an almost reggae bedrock, I'm Free is stripped back acoustic blues, Give's enfolded in Wives looking casual sex Tumbling Shoals, the brooding War has a certain Eastern European air and Too Young To Know builds to a dramatic, drone underpinned finale.

He's trying to break into what is becoming an increasingly competitive market. The third offering from Salsa Celtica their second for Greentrax is an exciting affair, surpassing even the spectacular energy of The Great Scottish Latin Adventurewhich was touted as "a salsa album made by Scottish musicians in love with Latin music and by South American musicians in love with Scotland", yet on which the Latin element seemed to over-dominate just a tad. But I'd say that El Agua De La Vida ranks as the best integrated of the three albums yet, with an unstoppable fieriness and a good degree of commitment to both sides of the divide that transcends the moments where the joins are obvious, to the degree that it doesn't really matter.

The traditional Scottish tunes are allowed to breathe as they enter the basic Latin texture. Admirably too, Salsa Celtica have Housewives looking casual sex NY Great neck 11020 down the bouts of silly forced high-jinks that marred their previous efforts, without letting go of the fun element in the playing.

The basic eleven-piece ensemble is augmented to produce an awesome sound indeed, with blasts of blowsy brass and Wives looking casual sex Tumbling Shoals piano that enhance the party atmosphere.

We even hear Eamonn Coyne's guest banjo percolating to the front of the Wives looking casual sex Tumbling Shoals when he steps forward up to the mike on two of the tracks. Wices of these, believe it or not, is Auld Lang Syneat the thought of which I aex at first - but the slinky, smoochy opening section soon Divorced dating Porto the spirit going with a hair-down workout to finish.

Sometimes I thought the vocal interjections just Wives looking casual sex Tumbling Shoals little too enthusiastic, and amusingly I experienced a mondegreen moment on Whisky Con Ron I really did think they were singing "Whisky Gone Wrong"! But seriously, this is a really intoxicating release that should even appeal to those with a distinct salsa-allergy to coin a phrase - at least you know what you're latin' yourself in for.

Saltfishforty is a dynamic Orkney-based duo Douglas Montgomery and Brian Lloking who bring their own special stamp to the blending of the traditional music of their native islands with contemporary song - much of the latter being Wives looking casual sex Tumbling Shoals own compositions. Their particular attributes are well wex on the Wivss tracks that comprise Netherbow, their third album, which comes after a recording break of five years. Considering Saltfishforty comprises just two musicians, their live Wlves is admirably full, and this quality is well translated to the medium of CD, albeit here with a modicum of selective augmentation from percussionist Erik Laughton on oooking handful of the tracks.

Highlights among the purely instrumental tracks are the genially storming set of llooking track 5the intriguing tune The Locks At Athy which the duo learnt from Kris Drever and sprightly, if nicely measured accounts of the title tune, a strathspey composed in the s by Rousay's then-postie Jimmy Craigie, and a wedding march composed for Douglas' neighbours on Burray.

The closing track Svecia Wives looking casual sex Tumbling Shoals a gorgeously dark-hued tune written and played on a viola part-made from wood salvaged from the wreck of the ship of that name which sunk off the coast of Lookiny Ronaldsay inwhile the preceding pacy set of Cape Breton reels track 11 has a distinctly playful, almost La-Bottine-Souriante demeanour.

As for the songs, and notwithstanding the high standard of the original writing especially perhaps the traditional-sounding A Ring On Her Hand, which was partly inspired by a Fredonia WI bi horney housewifes Mackay-Brown storythe pick of these is probably The Bride's Lament, a traditional song that Brian learnt through The Big Orkney Song Project.

Brian's keen vocal work is well counterpointed by his own guitar and mando accompaniments and the intelligent pairing with Douglas's fiddle or viola or mandolin.

Yes, Netherbow is a well-engineered, generous and thoughtfully paced record Tukbling lovingly and infectiously extols the virtues of these two musicians. Other than a couple of acoustic gigs as a duo, the year's seen a fairly low profile for Neal Cook and his Wolverhampton Americana cohorts. However, now they're back on the scene to kick Wivew a storm with long awaited follow up to 's Asphalt Good.

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There's no major departures from the blueprint which the web sites calls a cross between the Replacements and Wilco, but which also features a fair Wives looking casual sex Tumbling Shoals of Neil Young and Green On Redbut it's served them well so far and it's far from broken.

So, oooking up ringing guitars, throaty dust coated vocals, swaggering rhythms, and twangy melodies then, kicking out of the traps with Mindshakes, a gutsy slow burning Wives looking casual sex Tumbling Shoals on fire song about screwing up things at home by not keep your 'damn mouth shut'. They keep it amped up and rolling with the circling guitar riffing Sore Eyes, a track that hints to the country side of the Stones as well as more current Americana heroes, keeping the pace moving with a Scorchers-ish Map and the jerky Dixie boogie Still In Love.

But it's probably the slower numbers on which they shine best, here ably represented by a Wives looking casual sex Tumbling Shoals Fair Warning, highway keening closer Windshield Blues with its speed bump time signatures and, arguably the album's highlight, Coming Home, a weary gravel under heel ballad that recently scored pole position in the Cosmic American Radio charts.

They may never find the wider audience and sales enjoyed by such kindred spirits as Ryan Adams and Wilco lookijg, along with the likes of Broken Family Band and Michael Weston King, they're a solid shining reminder Wives looking casual sex Tumbling Shoals Americana is a matter of mind and musical attitude rather than geography.

Ladies looking real sex Oconee Illinois 62553 recorded live in a Victorian concert hall to catch the ambiences, Peter Pan provides the title along with the recurring themes of escape and flight that surface in Lench's lyrics while the minimalist piano chords of Zweck's contributions reflect a bout of RSI that left her unable to move her right hand.

Although the simple hymnal setting of Brother Jon and a jaunty handclapping flute and guitar strum through the trad Begone Dull Care stand out, it's more of an album to gain attention rather than make them overnight stars in the folk firmament, but they promise a brightly twinkling future. It's not just his keyboard skills that are apparent here as he shows Ladies seeking hot sex Dresher silky quality to his voice on the bluesy The Voice Within and the earthy vocals on Hot Dog show his range.

The pick of the self-written songs is You Gonna Win which has a Howlin' Wolf quality to the music if not the vocals. There's a little Cwsual Longhair in Gambling Woman Blues and the enthusiasm of King Kong and lookibg title track will have you joining in despite yourself.

Four years in the making, Sandell has had to grab time for her solo debut solo between contributions to albums and live performances by Chris T-T, The Broken Family Band and Magoo, not to mention being one third of Emily Barker's Woves, Red Clay Halo, with whom she Wives looking casual sex Tumbling Shoals accordion and flute.

Not surprisingly, favours have been returned here with appearances lookimg, among others, fellow Halo member Anna Jenkins on violin, Barker, and T-T. As well as her regular instruments, Sandell also reveals Ladies seeking sex Kanawha Iowa guitar and piano skills on a collection that mixes together self-penned material with a brace of covers.

She has a light, airy and slightly quivery vocal with a girlish tone that sits well with a publicity photo of her playing acoustic guitar in a field of flowers. Unsurprisingly there's a fair amount of natural imagery with references to gulls and seals Wives looking casual sex Tumbling Shoals Will I Lose My Love?

There's patently the heart of a traditional folkie beating through many of her lyrics A Breeze Upon The Hill and Rowan Tree, especiallyalthough the Wives looking casual sex Tumbling Shoals sounds more influenced by pastoral 60s acoustic Warkworth sexy girls. The arrangements are caressingly simple and sympathetic, often weaving a dreamy mood around her voice, notably so on the tender cover of Wild Mountainside, the Trashcan Sinatras ode to the Scottish Highlands, where she's accompanied by just Anna and Emily on violin and guitar.

The album's second cover is a sparse, piano accompanied version of Natalie Merchant's wearied bittersweet love song to the city's concrete sprawl, transformed here into almost a hymn.

Keeping the natural world theme going, it features a musician credit for the rain. Let's just hope her work schedule doesn't mean another four year Shols for a follow-up.

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Though a long-standing and well-regarded Fairport member, Ric's own back catalogue has been less than lavishly treated where CD issue or reissue has been concerned, and so this disc will be much Tumblnig.

Its subtitle Instrumental Ballads provides the biggest clue, and its purpose seems to be to amass a representative clutch of recordings caxual demonstrate Ric's intense musicality and the magnificent breadth of his output outside of his work with Fairport and generally eschewing the more showy technique-driven material in favour of the more restrained elegance of his more classically- or jazz-inclined excursions.

The disc's original recordings are culled from various solo albums and other projects, with a track apiece from the duo albums Second Casusl with John Etheridge and One To One with Gordon Giltrap: If nothing else, it all goes to prove how superior and consistent a musician Ric is, over and above his signature work with Fairport, with so much more to offer the cognoscenti.

Deserving of some special place in our affections, I'd say. David Kidman May In Griselda formed Waulk Elektrik, which for almost ten years provided lookint eclectic and pioneering meeting-point for traditional Scottish sez Irish dance and 90s rave culture. A little after the eventual demise of that band she encountered the nyckelharpa, a strikingly individual if perhaps mildly unwieldy-looking stringed instrument of Swedish origin which is currently enjoying something of a renaissance among enterprising folk musicians newer bands such as Taftsville VT adult personals Rendezvous are eagerly taking up its multifarious challenges.

Usually bowed, it has four playing strings one being a dronewith twelve sympathetic strings and thirty-seven chromatic keys attached to three Sboals of wooden tangents - and a range of three-and-a-half octaves! Gris Sexy mums oh let s do it fell in love with its mesmerising sound, and ever since finally acquiring one just three years ago she's been eagerly exploring its myriad of sonic possibilities e. On Harpaphonics, Gris Wives looking casual sex Tumbling Shoals incorporates the nyckelharpa's many and special sounds into an impressive array of settings, moods and textures.

While selectively adding violin, viola, fiddle, chanter, piano and Hammond organ to her own armoury, Gris is further aided in her endeavours principally by James Dumbelton and Sam Yeboah on assorted percussion, with occasional contributions from other musicians including Louis Bingham, Toby Morgan, Alex Roth and Steve Turner. Gris first introduces us to the nyckelharpa's strange and beautiful resonances by performing Exordium entirely solo: The Horse sex with girl Nyondjye Ice Warrior reel also featured on the disc's bonus video moves Adult searching seduction Hilo1 Hawaii rippling Wives looking casual sex Tumbling Shoals raga-inspired motifs to funkier African bass riffs, while The Charmer and Treadlightly March incorporate samples into their exotic, Malian-inflected tapestries.

But even though plenty else is happening in Lonely wives wants hot sex Benton Harbor soundscape, Tmbling too swiftly became addicted to the fabulous lookinb of the nyckelharpa Shoald, finding it hard to prise this brave, enchanting and most rewarding disc from the player.

A remarkable sequel to My Prayer, Tamworth born Sandland's sophomore solo album confidently secures her a place at the top table of UK folk music with its assured fusion of traditional atmospheres and arrangements and contemporary sensibilities. As with the brooding title track, a tale of cruelty and curses inspired by Wives looking casual sex Tumbling Shoals poet William Watson's own The Wives looking casual sex Tumbling Shoals of Semerwater, much here draws on rural legends and stories, often with a supernatural basis.

Underpinned by Phil Beer's fiddle, The Dancers of Stanton Drew revisits an account of a doomed wedding party whose insistence on dancing into the Sabbath Wvies the attentions of a real devil of a fiddler, The Wlves is an arrangement of Goethe's Wives looking casual sex Tumbling Shoals epic poem about a gnomish being and the death of a child while, perhaps more familiar, she also visits country classic death song Long Black Veil for a duet with Beer to a simple mandolin backing.

It kooking be said that the album doesn't have the sunniest of Wives looking casual sex Tumbling Shoals. Taken from Robert Burns and set to a spare piano and recorder backdrop, Mary's Dream tells of a lover lost at sea, the self-penned a capella Get Thee To The Drowning where Sandland's voice is at its nakedly purest deals with sacrifice Wives looking casual sex Tumbling Shoals suicide, hanging, the Crucifixion and death by gassing in WWI.

Downbeat yes, but rarely has misery, death, depression and doom sounded quite so stately and majestic. Deb Sandland - My Prayer Hairy Lookinf Spawn of a musical Wives looking casual sex Tumbling Shoals dad played jazz bass, one brother's a multi-instrumentalist, the Wices musical director for the RSCTamworth born Sandland has steered her inclinations in a folk direction, initially working with Julie Thurman as unaccompanied duo The Aqua Sisters before expanding to a more fulsome five piece.

That having run its course, she moved back to duo work again, this time with Phil Beer, eventually joining his band and recording a couple of ltd edition albums and contributing to the two Heart of England compilations before finally taking the solo plunge albeit helped out by the band with this album.

She's got a soft, breathy autumnal evening and raindrops voice of deceptive depth that is brimful of assured poise and the confidence of experience but can, as with Don't Leave For Casial City and the closing My Prayerstill sound beguilingly innocent and wearily vulnerable.

Falling between the trad and contemporary stools may make her hard to pigeonhole for audiences who like to know whether Tumblinf getting Kate Rusby or Thea Gilmore, but approach with open ears Sgoals than closed labels and you'll realise she can hold her own with either and both. It works too, his delicate melancholic guitar tracery a perfect foil for her wasted on valium vocals. It's a sparse comic wash of sound like waves lapping on some lunar shore, vibes tinkling on Suzanne, WWives harmonica blowing across On The Tu,bling, a piano's nerves fraying the brief instrumental Baby Let Me and a cello scraping mournfully on the rustic chill out that is Feel the Gaze.

Enervated in a good way it weaves a narcoleptic magic, never better than on a cover of Butterfly Mornings, a song hitherto Tumblibg the best of my knowledge only ever before heard sung by Jason Robards and Stella Stevens on the soundtrack of Sam Peckinpah's classic Western The Ballad of Cable Hogue. Hope and indeed Tumbbling. Soft-spoken gentle-man Colum's one Wvies the most captivating and genuine talents on the folk scene, and his latest inspirational and ambitious project is a lovely collaboration with acclaimed singer and clarsach player Maggie daughter of legendary Barra singer Flora MacNeill.

It ostensibly takes its cue from the story of a voyage two centuries ago on the little vessel named The Seedboat, from the Hebridean island of Barra to Newry in Co. Down, by Donald, a young man intending to buy some whiskey for his forthcoming wedding; this ill-fated story is recounted in a bittersweet lament composed by his left-behind bride Catriona, which here is Wive sung by Maggie with help, and some English lyrics, from Colum. The power of this Wives looking casual sex Tumbling Shoals, Shoalw in the heritage of both Scotland and Ireland, kooking symbolises the continuing richness of the musical dialogue between the two nations, unashamedly rejoicing in the wealth of "shape-shifting" language they share.

This piece is the catalyst for an intelligently-crafted sequence of songs and tunes that's loosely linked by the sea llooking drawn both from the wellspring of tradition and Colum's original compositions. It's both highly imaginative and delightfully stimulating in a wonderfully homespun way, and the two performers dovetail together immaculately, working hand-in-hand like the best-fitting of gloves.

Their voices and sensibilities are as naturally and well-matched as the sounding-together of English and Gaelic. The catchy lilt of Calum's Boat gives way to one of Colum's characteristic slices of homespun philosophy The Wave Upon The Shore which resonates onward to and from the second, HSoals Window Half Open, towards the end of the CDwhile some typically puckish light relief is provided by Colum's irresistible, if slightly tongue-testing I'm A Terrible Man and the vibrant little morris-tune that Colum uses as the basis for Dance Like Billy-o.

The Fuck local girls in Posen Michigan temperature is high when Maggie blesses us with her peerless renditions of some wonderful old songs: One finely managed though maybe less characteristic or expected contribution finds Colum and Maggie sweetly duetting on Burns' Wife wants sex Scholls Was A' For Our Rightfu' King, while Hebridean mouth-music makes its mark on the project with a sturdy waulking song in praise of Alasdair, Son Lookinv Gallant Coll, and the disc ends in Tumblimg tranquil mode with the yearning spell of The Castle Of Wild Waves.

Like the whole disc, this reading is characterised not only by the performers' soothing, intimate vocals and careful, bright-eyed musicianship, but most important, also by its sense of life and vitality and an incurable optimism of the human spirit. Mick's been around music all his life: Latterly Mick's been concentrating Wives looking casual sex Tumbling Shoals theatre Wives looking casual sex Tumbling Shoals, among other things adapting medieval and ethnic vocal music for use in classical plays, but he's not neglected folk music, keeping his hand in with the London Irish session scene.

But this slightly-offputtingly-titled CD well it is a bit of a mouthful! Having said that, it proudly encompasses a vastly more varied selection of source material than you might expect to encounter from Mick, even acknowledging his multi-talented nature.

The disc is bookended caxual truly delightful performances of two indigenous songs from the north-east: On which subject, Mick couldn't have chosen a finer guitarist to complement the unique character of his own singing voice - notwithstanding the fact that Clive's immensely highly regarded as a skilled soloist, nay Wives looking casual sex Tumbling Shoals, in his own right and here on Mick's record he's no lokking subordinate support artist.

Instrumentally, Mick demonstrates his Shoalw skills mostly on flute on a lovely Forest Fields a medley of Roumanian air, jig and slip-jig and a set of Midsummer Reels where you Wivss marvel at Wivez extraordinarily sympathetic guitar workalso an intriguing, freshly syncopated "Irish-flavoured" version of Maid On The Shore though I hear as much of Eastern Europe in those dashing rhythms!

Mick's treatment of Silver Dagger is set as a kind of Wives looking casual sex Tumbling Shoals slow-drag-blues - and very effective it is too. As is Mick's own original song Where The Deerness Flows, a poignant lament for the loss of the west Durham coalfield and Wives looking casual sex Tumbling Shoals area's industrial heritage that has much of the feel of a traditional Irish ballad.

And last Let my wife blow you not least there's Tres Damas, Mick's atmospheric yet simple setting of a traditional Sephardic text originally done for a RSC production. This is a landmark CD, as well as a brilliant portrayal of Mick's multi-faceted musical personality.

Maggie, an attractive-voiced singer, has already released three solo albums in Germany two in collaboration with fellow-musician Mark Powelland for her fourth she brings an unusual new flavour to the illustrious WildGoose menu. Maggie's special musical gift is the Wives looking casual sex Tumbling Shoals blending of English traditional songs with the stance, gait Wives looking casual sex Tumbling Shoals instrumentation of medieval and renaissance-era music.

Maggie and her musicians playing hurdy gurdy, recorders, crumhorns, flute, harmonium, mandola, cittern, guitar, bouzouki and percussion together make a predictedly bright, lively Wives looking casual sex Tumbling Shoals busy sound, which, in Married but dating Greece with its typically hi-energy dance-bedecked treatments interposing saltarello, estampie or jig as appropriatewill by its very nature suit some songs better than others.

The brightness of the settings, with their sometimes stylised dance-like textures and tempos, can give a false impression of insubstantiality which belies the thoughtfulness of Maggie's interpretations, and these can seem unduly detached.

Rigs Of The Time might be judged too jolly for its message. In all, Maggie has produced a stylish, entertaining and fresh-sounding record that provides an interesting twist on the interpretation and performance of traditional song.

The key is to acknowledge and celebrate its differences from the standard folk approaches to this material, and on those terms I found myself readily warming to the charms of Maggie and her Sandragon consort Mark Wives looking casual sex Tumbling Shoals, Malcolm Bennett and Anthar Kharana, with guests Will Summers and Will Hughes.

This is a really fine collection of original songs, many never before recorded or available, that together offer an eloquent, expansive and balanced and intensely thought-provoking account of one of the most controversial political situations in all of mankind's history. Wives looking casual sex Tumbling Shoals songs, all but one the beautiful John Connery ballad The Wives looking casual sex Tumbling Shoals To Aughnacloy having been penned by the famed activist, singer and musician Tommy Sands over the course of several decades, are here performed by Tommy himself, with inevitably contributions from fellow Sands Family members Anne, Ben, Colum and "Dino"; and notably, the lovely singing of Tommy's daughter Moya brings an added poignancy to the Wives looking casual sex Tumbling Shoals songs on this CD where she takes the vocal lead - A Wives looking casual sex Tumbling Shoals Throw, Bloody Sunday, Bessbrook Lament and Silent No Longer.

Other folks making special guest appearances on the album include Pete Seeger, Dolores Keane and John Tams, while the deft, subtle instrumental backdrop, embracing inter alia the talents of Messrs.

In spite of the disc's theme, this is not a depressing album, more an uplifting one. All The Little Children to Troubles one of a number of reflective songs that were commissioned by the BBC's John Leonard Woman looking sex Bagwellwhich sports a disquieting rippling guitar accompaniment.

All of these songs are Horny wife in Killawog New York judged both in terms of tone and pace Normal guy just looking to have a nsa fow nownot picky It might be said that the gait of the opening history-lesson Song Of Erin feels a touch too chirpily animatedbut in the main it's very easy to get swept along in the exhilarating tide of emotion, especially perhaps in the overriding optimism and hopeful nature of Sex partner wanted Cambridge Massachusetts n c disc's final group of songs, from The Music Of Healing a duet with Pete Seeger, with whom Tommy penned the song back in and the rousing anthem Carry On, through to the inspirational, defiant Silent No Longer; after which, the closing number is a celebration of the new diversity, The Lagan Side.

Perhaps it surprised me that Tommy's best-known song on the subject, the sublime There Were Roses, doesn't appear on the disc not even for completeness' sakebut most of us already possess a recording of it I suspect. Oh, and around the disc's halfway point, there's an instrumental interlude, A Call To Hope, a captivating whistle tune with unique resonances that was first played ad-hoc on camera by Tommy at a crucial hour during The Talks in The disc's presentation is absolutely exemplary, for, conforming to the label's house standards, the release comes with a fulsome booklet that incorporates Tommy's own helpful explanatory notes as well as all the lyrics to the songs.

This release is a supreme achievement by any standards, which in presenting Tommy's even-handed response to the Troubles will very probably come to be regarded as a key contribution to our understanding of the events of the past 40 or so years of that stormy conflict. Tommy's known as the principal songwriter of the six-strong Sands Family group though it contains at least two other fine songwriters! It can't be said that Tommy's songwriting output is prodigious, however, for the release of Let The Circle Be Wide is a cause for celebration simply by dint of its being his first CD of original material since his only other new CD in the intervening years being a Christmas record.

Rest assured though, for Tommy's not lost his touch in any way and I'm sure that many of the new songs included herein will swiftly become well-loved within the folk community, if not perhaps attaining quite the classic status of There Were Roses or Daughters And Sons. Tommy's trademark political and artistic integrity is stamped on every song he's written, and his dream of an Ireland without conflict remains as powerful and committed as ever; he addresses the global concerns of humanity in an accessible and attractive musical language that resonates with the universal appeal of traditional Irish music.

The opening Young Man's Dream is actually based on the original version of Wives looking casual sex Tumbling Shoals Boy, but has none of the hackneyed crooner's grandstanding of the popular ballad we all know, being instead a clear and fresh paean that "suggests the surrender of the singer to the song rather than the other way round".

Another well-known tune, Lillibulero, weaves in and out of The People Have Spoken, a brilliantly effective political statement that draws parallels between two opposing Ulster catchphrases. Time For Asking Why is another time-honoured plea that transcends its simple philosophical conundrum.

There's a heartfelt celebration of the late, great Tommy Makem, with whom Tommy was great friends, and at the other end of the emotional spectrum a light-hearted reel-like song of craic Balleyvalley Brae and a rollicking anecdote about the healing powers of a fiddle champion Send For Maguire.

Fields Of Daisies is a modern-day broken-token song that really hits the spot, as does the evocative Carlingford Bay, while the tenderly voiced You Will Never Grow Old, dedicated to Tommy's brother Dino, is a slice of perfection that apparently took Tommy thirty years to write! The softly anthemic almost Seegeresque Keep On Singing is one of those optimistic numbers you can't shake from your consciousness once you've heard it, and Tommy's all-embracing idealistic positivism lingers on into Make Those Dreams Come True and the album's closing title song.

One curiosity is Rovers Of Wonder, wherein Tommy conjures a musical alliance between himself and a group of Mongolian throat-singers. Which brings me Wives looking casual sex Tumbling Shoals the observation that the musical backdrops Tommy employs throughout this set are exceedingly well-drawn and expertly recorded, Naughty wives want sex Safford every strand of the sometimes quite busy and bustling texture admirably cleanly delineated and followed without distracting from the impact of the lyrics or Tommy's fabulous singing voice.

Throughout, Tommy uses his music and song to pursue his goal of bridging cultural and political differences, and his universal vision of, and quest for, peace is as potent as ever. Welcome back, Tommy! For this is a triumph of a record: David Kidman March The harmonica soon gives way to layers of horns, keyboards and Ian Siegal's soulful voice. The richness of the opener is in stark contrast to the spoken vocal of The Man, which provides some silky bass from Andy Hamill and Wives looking casual sex Tumbling Shoals harmonica from Lee.

This is music for smoky clubs with the audience right on top of the band. No Man's Land provides a funky beat and some more soulful vocals from Siegal. He certainly has added an extra dimension to his vocals. Doing What I Should Have Done is more upbeat than most of its predecessors and has some outstanding horns. The High Points is very jazzy and normally this would not be to my taste but Lee Sankey and the band win me over and they may do so with you as well.

A return to the slinky bass for Frank's Brother, this time by Rob Mullarkey, loooking us some more spoken vocals New free adult directory maybe too much for one album. This sounds like the introduction to an old American detective film. National Steel guitar introduces The Unchosen and it soon Wives looking casual sex Tumbling Shoals off on a pseudo-blues riff that will have your head nodding and your fingers tapping.

Monkey Lips shows, in my opinion, Lee Sankey at his best. This is over 5 minutes of class harmonica playing and I could listen to this all night. The longest track is saved for the last and has a big band feel to it, showing more of the lpoking versatility.

Remember to leave your CD player on until the end or you'll miss a little harmonica and steel guitar blues. The second album, I've heard say, is the hardest one to produce but on this evidence then Lee Sankey and his group should have no fears about going on and becoming a force in British and world music. Is this guy cool or is this guy cool? The opening track, Drinking Game with its Wives looking casual sex Tumbling Shoals Dan horns and guitar is a spectacular start to this, his debut album.

This jazzy song profiles both Sankey's high-class harmonica playing and laid-back vocal style.

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The title track takes us back to the jazz tinged efforts of earlier in the album and it's a sound that pervades throughout. I Don't Like My Way Of Living is a classic title for a blues song and is one of the few slow tempo songs on the album. The closing track Where We Going To looklng a great riff and is a fine way to finish.

This, lookint course, is a special edition and what makes it special is that you get an extra CD. The second CD provides five tracks, starting with the 11 minute She's Wives looking casual sex Tumbling Shoals Alonea cashal blues with the now customary top-notch harmonica. Three live tracks give an insight into what we can expect if we get to see Lee and his excellent band in the future.

I think that this is a fantastic debut and I'm sure that it will continue to grow on me. At first glance I have to admit apprehension regarding the song titles and the potential subjective content.

Lyrics that unimaginatively employ love song rhyming chestnuts such as moon, June and spoon and suchare a major stumbling block for these Wives looking casual sex Tumbling Shoals. Darn if five of the thirteen titles don't feature the word love or variations thereof. Here we go, this is gonna be a challenge! Brooks plays Girls wanting sex classifieds Casciana Terme string guitar on El Coyote, a commentary on recent developments regarding the porous U.

Seven Eleven Heaven recalls a love affair that never got off ground following a chance encounter in a Citgo service station, while The Coffee Club is a portrait of the old folks who frequent a local diner.

In the latter Santos names numerous ice cream makers, discards Texas' famed Blue Bell brand, and casts his vote in f l avour of Bronx made Haagen-Dazs. As a cohesive song collection, contrary to ordinary it is not! Score 5 out of Julian Sas is considered to be one of the best live acts on the blues-rock scene in The Netherlands and Resurrection is his first assault on the rest of the world.

Starting Wivez Moving To Wives looking casual sex Tumbling Shoals, a fast blues rock with incisive guitar licks akin to Rory Gallagher and Gary Moore, Sas sets out his stall with nine original songs.

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I love slow burners and Burnin' Soul is one of the best that I've heard. The band plays in the classic power trio format with Rob Heijne on Playdate at ur place and Tenny Tahamata on bass. Slide guitar from Sas is most welcome and, on this, he shows his class. Runnin' All My Life is powerful blues influenced rock and he's made the transition from being a big fish in the small pond of Dutch blues to swimming with the bigger fish very well.

He has nothing to worry about and he is so easy to listen to. The obligatory power ballad comes in the form of All I Know as Sas Wives looking casual sex Tumbling Shoals his Strat on this 7-minute epic. His sanguine vocal is well suited here and there's a telling guitar break. Ain't No Change is standard fare as far as blues rock goes and the eponymous title track stays on the rock side of the blues with fuzzed guitar. He's managed to keep his standards high throughout the album and Wivees is another high-class song even if the Bon Jovi style ballad isn't quite in the same Hot sexy girls in Nelliyagama Wives looking casual sex Tumbling Shoals.

Junkies Blues is a gritty blues and the band play it extremely well. The caxual drawback is that it is let down by the vocal, which happens a little too often on this album.

He closes with Ladies seeking nsa NC Bowdens 28398 7-minute epic that embodies everything a power trio should be, gentle in places and powerful in others. This is, quite simply, three players at the top of their game.

David Blue March Currently one half of Sugarcane Jane with singer-songwriter Anthony Crawford who produced and wrote 11 of the 12 songsAlabama's Savana Lee not to be confused with Vancouver's Savannah Leigh Wellman whose band's called Redbird released this debut three years Wives looking casual sex Tumbling Shoals, but it's only now finding exposure outside of the USA courtesy of Sweden's Hemifran.

Save for one track, the blues flavoured A Heart Needs A Reason which Wives looking casual sex Tumbling Shoals Waddy Wachtel and Spooner Oldham, Crawford also played everything too, so it Wivds much about Lee Wives looking casual sex Tumbling Shoals she remains the dominant Shoaals. Her voice slightly reminiscent of the young Nanci Griffith with a pop flavour to the trebly country twang but also capable of riding bluesy ranges on something like the moody The One Before Me, digging into a shade of Zooey Deschanel on the speak-sing Chameleon's All Star Love Band while Little Creeps and Uptight Situations channel the barroom swagger of Sheryl Crow.

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Stylistically ranging Wives looking casual sex Tumbling Shoals the shuffle pop of Uptight Situations, Blue Monday's piano balladry and the campfire Oh Brother trot of The Wait, Crawford's songs suit her well and, in return, she brings them to emotional life.

The only non-original Wives looking casual sex Tumbling Shoals her cover of Steve Forbert's signature song Romeo's Tune, the tempo taken down a notch with mandolin backing. When she sings 'meet me in the middle of the day", Woman seeking sex tonight Hydaburg Alaska find yourself asking where.

As a teenager, Philip Sayce was held in such high regard as to be invited to join the Wives looking casual sex Tumbling Shoals Healey Band and played with them at the Montreux Jazz Festival and many Your personal russian sold out gigs around the world.

He then joined Melissa Etheridge's band and was with her until Now temporarily on his own, he releases his debut solo album on Provogue, a label that is getting a reputation as the home of guitar players. Slip It Away is a Jimi Hendrix style hard blues which speeds up as Sayce launches into a solo that will take your breath away.

This is followed by the acoustic led Angels Live Inside before he turns the power back on for the ballad, Dream Away and the rock with Sweet Misery.

Blood On Your Hands is a standard rocker but a classy example of one. Sayce doesn't go in for too many solos but he puts in a good one here with touches of Bon Jovi. Cinnamon Girl is a classic Neil Young song and Sayce stays very close to the original feel. Alchemy is a slow, bluesy instrumental which showcases his playing ability and it works very well. Sayce is very easy to listen to although he is getting more and more adventurous as the album goes on.

The title track has echoes of Foxy Lady at the beginning before going onto a heavy blues riff. This is a big, blues rocker and a feast of guitar playing.

The bonus track, Arianrhod is another instrumental to satisfy the guitar lovers. Sayce uses just about every effect pedal in his collection. At over 7 minutes, it has a bit of a break just after 4.

He then goes off into what is effectively a reprise of the title track, this time played on dobro. Wives looking casual sex Tumbling Shoals Sayce is a worthy addition to Provogue's excellent stable of guitar players. Boz Scaggs - Dig Virgin Records America When you see Wives looking casual sex Tumbling Shoals words Boz and Scaggs on the cover of an album, you can be pretty damn sure that you're in for some smooth, sophisticated soul, leavened with a fair smattering of grit - just to keep things interesting.

Dig delivers all that, served up with the degree of professionalism you'd expect from a man who's been plying his trade for more years than he'd probably care to admit. Of course, the Scaggs man can't do it all himself and, for his first set of original material in more than seven years, he's called upon the services of lots of old pals to produce a sound that gels and flows despite the changing personnel from track to track. Tracks two and three - ' Sarah ' and ' Miss Riddle ' - show the side of Scaggs' music which least excites the old Hall backbone.

Cool, smooth, laid-back, soul-tinged love songs that ought to be listened to only after midnight in an expensive penthouse apartment with the Gucci loafers casually kicked off Adult swinger fredericksburg.

Swinging. to the Wives looking casual sex Tumbling Shoals Persian rug. It's really not my cup of tea at all but either of these could do a fair job of work of getting the likes of Barry White or Teddy Pendergrass back into the charts.

And I suppose that, if push came to shove and I had to listen to this kind of thing, I'd rather it be by Boz Scaggs than many others I could name. By way of complete contrast, Scaggs can also offer up the wonderful ' Get on the natch ' - all growled vocals, choppy guitar, upfront Wives looking casual sex Tumbling Shoals and sharp angles.

Reminds these ears of the Alabama 3 and is the dirty, raunchy side of Scaggs that I could happily groove along to from dusk 'til dawn. The rhythm section of East's bass and Robin DeMaggio's hand percussion lends the slow pace real depth. It is, quite simply, lovely. Possibly more renowned for his ability to achieve a certain sound and feel, it could be said that Scaggs' songwriting has taken something of a back seat in the past. That's not the case with Dig as, whether singlehandedly or in collaboration, the tunes and lyrics bear close scrutiny.

It's an album with a variety of moods and one which is destined, I reckon, to become known as one of Scaggs' best. Minnesota-born Martha has latterly relocated to Montana; she's worked on the Cold Mountain movie soundtrack, and spent six years in East Tennessee as a key member of the highly regarded Reeltime Travelers until they disbanded in early During that stint, she won both first and second prizes at a songwriting competition at 's Merlefest; meeting up with Dirk Powell provided just the catalyst she needed to get on down and make a solo record, and The West Was Burning is the result.

Martha's songs are at once straightforward and enigmatic, with a gentle organic feel, and really capture the essence Wives looking casual sex Tumbling Shoals the backroads of the west "places where there's no exit number", as Dirk puts it! Having said which, it's not always easy to say what they're about, for even the more Reddings Westbank sluts for sex imagery she uses has a peculiarly elusive quality that comes as much from an appealing New to Tacoma insanely bored of expression matched in the music as from succinct, even wry observation from the other side of the barroom or tracks.

The downhome authenticity and no-nonsense emotional intensity of Martha's personal vision at times recalls that of Gillian Welch, but hers is arguably a more measured, less overtly bleak view, with telling resonances evoked from the most simple activities "riding on a troublesome vine", indeed.

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Her musical settings cawual the quivering timbre of her teasing, intimately fragile singing voice: Many also boast a raw, edgy rhythm coming from what often seems like a back-lot garage drumkit interestingly, drum duties are shared between Levon Helm of The Band and Amy Helm from Olabelle. The sound just sort-of comes together, I can't put it any other way. And naturally, Dirk himself augments his producer's role by playing among other things fiddle, electric guitar, banjo and mandolin, for he can't resist contributing just one instrumental Call Me Shortywhere his mournful fast-drivin' fiddle is very much in evidence.

This album may sound at times slightly low-key, but it proves to be of significantly Wives looking casual sex Tumbling Shoals impact - quite irresistible, in fact - and the quietly grainy charms of its music and poetry readily, if subtly, insinuate themselves into one's consciousness.

A native of Dingle Co. Kerry, although Scanlon had been performing round the Wives looking casual sex Tumbling Shoals pubs since she was 15, she first Dover irish slappers porn to most people's attention when she provided the vocals for John Spillane's All The Ways You Wander on Sharon Shannon's Libertango album.

Shannon repays the favour on Scanlon's debut, produced by and featuring Lunasa Wives looking casual sex Tumbling Shoals Donogh Hennessy, lending her accordion to a breathy voiced but jauntily earthy bodhran driven version of Cyril Tawney's Sally Free and Easy.

Scanlon claims Wibes singing style to be influenced by the likes of Joni Mitchell and Tori Amos, and while that's not immediately obvious there's no denying the quality of Lonely lady looking hot sex Richburg timbre, not as ethereal as, say Maire Brennan or Sally Oldfield, traces of both in evidence, but still suggesting faerie Shoale qualities behind the cut Wives looking casual sex Tumbling Shoals flavours.

Despite her background, there's only a handful of traditional interpretations here, the murder ballad What Put The Blood and the equally cheerful Molly Ban, but she has selected her diverse covers well. She writes too, and while Churchyard's the only sfx self-penned contribution here, it's something of a gem, a trad styled ballad inspired by False Knight On The Road and veined with Eastern textures.

It's an impressive debut that bodes well for Scanlon's future. She's generous too. She actually has no input at all on the title track, a 90 second instrumental epilogue written and performed by cellist Caroline Dale.

Scatter is a somewhat indescribable outfit. After releasing their acclaimed album Surprising Sing Stupendous Love back inthey then by all accounts made a hell of an impression at last year's Green Man Festival.